Panasonic solid-state shooters have had a fantastic tool called P2 Genie for quite some time now. The software simplifies and automates the process of dumping P2 cards to disk so they can be re-used in a shoot. I’ve used it, and it works beautifully. So I was delighted today to see a similar application for Sony SxS shooters, ShotPut EXpress. It’s cross-platform for PC and Intel-Mac users, and at just $49 it looks like a worthy investment. Here’s the scoop:

ShotPut EXpress features Single card (manual) and Multiple card (auto) modes. Simply insert the SxS card into a PowerBook or Notebook’s ExpressCard slot and ShotPut EXpress makes secure, verified copies of the SxS card’s video contents (the BPAV folder) in up to three (3) locations. ShotPut EXpress makes a printable activities report log of all the file transfer activities. This text file shows all the details including names of cards and files, the copy destination names, file sizes, duration of each transfer and aggregate transfer time, date, etc. A great way to document and organize your project and billable time.

Fast Copying: Perform copies at top speed without the overhead of Finder or Explorer.
Automatic or Manual Copies: Manually select one or more drives to copy. Or use the auto offload mode to sequentially copy SxS cards upon insertion.
Easy Folder Naming: Save time and improve consistency and organization by auto-naming the copy folders.
Improve Workflow: Make up to 3 simultaneous SxS card copies at the same time.
Reformat Cards: After offloading is finished, automatically Erase the BPAV folder contents and Rename the card so it’s ready to return to the camera.
Security: Verify byte-to-byte comparisons of your media copies to ensure integrity of the files.
Verification Report: Create a record of file transfer activity, how the copies were named, time, date, etc. Save complete details for project organization and billable time.
Print Offload Log: Offload results are presented in a text file, printable with the click of a button.
Session Error Checking: Prevents overwriting of existing folders and duplicate offloading of the same card.
Progress Bar: Displays overall percent completion and file-by-file progress during the copy process.
Copy Cards or Disks: The BPAV contents of any mountable volume (drive) can be copied.

You can purchase ShotPut EXpress for Mac or Windows via Imagine Products.

Assimilate has announced a new product aimed directly at users of the Red Digital Cinema camera. Scratch Cine is a tool that handles .r3d files and is designed to handles dailies and ingest tasks like one-light grading, tape and file exports, and metadata handling. No pricing details have been announced, we’ll try to get some details at NAB.

(Via Studio Daily)

I was looking for some lightweight NLE/cutting software solutions recently. Obviously Windows users have Windows Movie Maker, and Mac users have iMovie. Neither are particularly lightweight, and both have a number of feature restrictions. So in the interests of sharing info, here are a few other NLE options. Note that I haven’t had time, resources, or the inclination to thoroughly test all these software packages. Please report back in the comments if a particular solution was helpful or if you experienced any issues.

SimpleMovieX
www.aeroquartet.com/SimpleMovieX/
Free “unlimited trial” for Mac. Simple editing, similar to Quicktime Pro’s interface. Has some unique features like batch processing, auto commercial detection in TV recordings, and long-GOP keyframe detection. Demo version is full-featured, but has “slower saving.” No trial time limitation.

ZS4
www.zs4.net
Free for Mac/Windows/Linux, Ubuntu, Gentoo, etc. Video Editing/Compositing. HDV formats aren’t supported directly, but there are workarounds. Lightweight, and a Portable version is available here.

Jahshaka
jahshaka.org
Free for Mac/Windows. Editing, compositing, 3d. Looks like a very interesting option, seems quite modular and flexible.

Cinelerra
cv.cinelerra.org / heroinewarrior.com (multiple versions explanation here).
Free for Linux, Ubuntu, Gentoo, etc. Mature, full-featured digital video editing software.

Kino DV
www.kinodv.org
Free for Linux, Ubuntu, Gentoo, etc. Mature standard-definition DV editing.

LiVES
lives.sourceforge.net
Free for Linux, BSD, Unix. Windows and XBOX support via bootable live CD. Mac/Darwin support if you care to compile your own.

KDENLIVE
kdenlive.sourceforge.net
Free Linux. Seems slightly limited in scope, DV editing.

Avid FreeDV
www.avid.com/products/freedv/
Free for Mac/Windows. Avid FreeDV is no longer available from Avid, but you can still find some mirrors here and there.

VirtualDub
www.virtualdub.org
Free for Windows. Not really an NLE, does capture, processing, encoding, and has extensive filter support. The Swiss Army knife of video processing.

Avidemux
fixounet.free.fr/avidemux/
Free for Mac/Windows/Linux, etc. Simple editing tools. Not really so much of a full-featured NLE as a suite of tools for working with streams and formats. A Mac alternative to VDub.

ffmpegX
homepage.mac.com/major4/
Free for Mac. Not an editor, does split, demux, crop, etc. Better at encoding, filters, handles subtitles, author DVD folders, etc. Good addition to any editor’s toolkit. Another VirtualDub-like option for Macintosh users.

Update:

DVJ Imaging
djv.sourceforge.net/index.html
Free for Mac/Windows/Linux, etc. Professional movie playback and image processing software for the film and computer animation industries.

Blender
www.blender.org
Free for Mac/Windows/Linux, etc. A mature OSS project that provides a complete suite for 3D content creation (and a great sequence editor, apparently).

If you are one of the ones who took the leap of faith and updated to Quicktime version 7.4.1, you may have noticed that certain codec export choices have simply vanished. Gone! Oh noes! Where is my Sorensen and Motion JPEG option? Fear not, they are still there. Like a cancer aids it’s host, Apple was just helping you out by gently pushing you in the direction of newer, more improved codecs (*cough*H.264*cough*). In 7.4.1 they added a new QT Preferences checkbox and left it unticked by default. You can restore your precious export options by going to System Preferences > Quicktime > Advanced and ticking the “Show legacy encoders” checkbox. The codecs that Apple didn’t invite to the QT 7.4.1 weekend kegger are:

BMP
Cinepak
Component Video
Graphics
H.261
H.263
Motion JPEG A
Motion JPEG B
Planar RGB
Sorenson Video
Sorenson Video3
TGA
TIFF
Video

There is a specific support doc on this issue here. And if the 7.4.1 update is causing you problems, you can always revert using these instructions.

Via Digital Basin comes this link to a handy utility called HFSExplorer that allows PC users to access HFS+ formatted hard disks and external drives. When Fat32 doesn’t give you enough space to transfer large files (2GB limitation), you can use the tool to copy from the Mac disk to NTFS. Likewise, NTFS drives can be read (and written) on Mac systems with MacFuse.

For those that need to re-install Final Cut Studio or even remove it entirely, check out FCS Remover. It simplifies the entire process and ensures you get all the nagging preference files, installer receipts, codecs and support folders. Thanks to Scott Simmons at Studio Daily for locating this handy tool.

Snapper is a unique application for Mac users that allows you to do a number of useful things with audio files on the fly. By simply selecting audio files in Finder, you can quickly pull out snippets of audio, export files to various formats, split stereo channels, drop a selection into Pro Tools, and much more. It’ll convert files on the fly to AIFF, WAV, BWF, mp3, or m4a (hello, Wedding and Event iRiver users!). The best way to understand is to watch Snapper in action, check out the 100-second demonstration video.

(Via MultimediaShooter)

As with any new technology, there is a learning curve and some pain for early adopters. One of the issues with the CompactFlash media workflow introduced with the new Sony HVR-Z7U and HVR-S270U camcorders is the fact that CF cards are formatted in FAT32, therefore they have a 4GB filesize limitation (that’s about 20 minutes of video). Much like Panasonic’s method of spanning P2 cards, these new HDV camcorders simply split the recorded M2T clips at 4GB for rejoining later. Sony has released a software utility for PC users that can address this rejoining process, as well as provide renaming assistance if you’ve managed to record clips on different cards with the same filename. My understanding is that it’s basically a standalone import utility that will automatically re-join split clips as it pulls them off the cards. You can download it here.

There is also a new Final Cut Pro plugin from Sony that enables access to the CF media from FCP’s Log and Transfer function. Again, this is a very P2-like workflow. One minor difference is that the Log and Transfer Preview is inactive. Once files are selected, the software wraps the M2T streams into Quicktime and automatically joins 4GB-spanned segments as it transfers the clips. I have to say that I am quite impressed that Sony has delivered this particular plugin so soon. It looks like a simple and trouble-free workflow for Mac editors. You can download both versions and instructions here. We have continuing coverage of these two camcorders here.

Final Cut User has the news on Apple’s Xsan 2 announcement, as well as the possibility that they are dropping Xserve RAID in favor of a 3rd party solution. Read all about it here.

In an extremely detailed and well thought-out post, Roughly Drafted calmly pours a steaming mug of SimmaDown for the video community that is perpetuating the rumor that Apple is shopping it’s Pro Applications around to the highest bidder. These rumors really surfaced after Apple’s announcement that, like Avid, they would not have a booth presence at NAB 2008. This post is well worth the read if you are even mildly concerned that Final Cut Studio will be leaving the Apple fold in the near future. Continue reading ‘Reports of ProApps Death Have Been Greatly Exaggerated’

Users are reporting that the latest Apple update for Quicktime (v.7.4.1) fixes the After Effects rendering issue that cropped up in the 7.4.0 update. Read the comments at this VideoCopilot post for more info on the update. I’ve read conflicting opinions on if it was Apple or Adobe’s software bug that caused the issue, but the point is that it is fixed now. After Effects users rejoice!

In another excellent blog post, Shane Ross points to a new utility for Mac users that simplifies the process of formatting P2 card media. HVX200 users rejoice!

Via Prolost is a link to a web-based DOF Calculator application for both the iPhone and iPod Touch. Unfortunately there is no native app widget option, it has to be run from the web. But it’s a start.

Via Ken Stone’s Mac-centric tutorial site comes a quick tip on how to view a clip’s embedded timecode in Quicktime Player. This might save someone somewhere the pain of creating a separate timecode-burn version of dailies and media. It only works with clips that actually have timecode embedded, and requires QT version 7.1.6 and higher.

Shane Ross and his cronies discovered that they can import P2 MXF files natively into Final Cut Pro without using the Log and Transfer function. This is possible with the help of a little importer component that comes along with P2CMS.