Part 2 deals with the script revision process, both in pre-production and on set. Whether a script change is sparked by a creative choice, a budgetary concern, or to fix a shooting problem, the Part 2 video segment covers the basic protocol and tangible essentials of how you can handle this in your next production.

Part 3 digs deep into the pre-production responsibilities of a Director and Assistant Director. Joe and Kendal discuss the process of breaking down a script by scenes and shots, assigning scene numbers, and building the day to day schedule. They show a sample script breakdown sheet and other necessary forms. Independent filmmakers by and large seem to have the attitude that planning doesn’t matter…but as Joe says in the video, pre-production should be 80% of a project. These tips and techniques will help you get a handle on the planning and pre-prod process, and help you come in under budget and make your shooting schedule.

Part 4 deals with daily production schedules, timesheets and the venerable callsheet…Joe’s “most beneficial information you can generate.” Joe and Kendal discuss planning, accountability, and working with the other members of a filmmaking crew to effectively reach the common goal…completing the project on time and budget.

In Part 5, the discussion transitions to the role of a Director and A/D in the casting and auditioning process. Joe talks about how he likes to run an audition and help faciliate the process, as well as what to look for in an actor’s audition. They also talk about making the offer to your actors, further table reads, and what to look for in the performances. These tips and concepts will help you better cast the roles in your next production.

In Part 6, Kendal and Joe talk about the specific roles and responsibilities of a Director and his DoP. The discussion centers around both the positive and the negative ways that a Director can interact with the camera dept, and how to avoid some of the common pitfalls on set and keep your production running smoothly and efficiently. They also talk about when to bring the DP into the pre-production process, to get the Director and DP on the same page creatively and practically. The discussion delves into using Overhead diagrams to visualize and help plan each scene, as well as the oft-overlooked yet critical location scouting process that can save time and money when it comes time to shoot. Finally, Joe and Kendal speak to the need to develop visual rules, style, and guidelines to help creatively guide a production.

The Part 7 segment delves into working with your cast and crew on a production set. Joe speaks to why a director should ensure equality and respect across all castmembers, and how to approach correcting an actor without making a scene. Finally, Joe offers practical suggestions on handling the inevitable unseen challenges and hurdles that will arise.

Part 8 deals specifically with an AD’s job on set, general set etiquette, and how an AD can take the load off a Director during production. There’s also a basic introduction to the order of commands and “calls” an AD makes during a take.

Part 9 is a discussion on the Director’s role in post-production, and how he or she can best collaborate with the editor to bring the project to fruition.

Part 10 offers practical tips and tricks aimed at new directors, those just learning the ropes. This includes a discussion on the oft-overlooked work that is pre-production.