Recently FreshDV launched the first part in an exclusive multi-segment training series on directing. These intensive FreshDV Film School Director’s Course video tutorials delve deep into what is required of a director and assistant director, both on and off set, and what areas those on that career path can concentrate on to achieve their goals. The discussion is hosted by FreshDV’s Kendal Miller, and Chicago filmmaker Joe Martin brings his unique perspective in teaching the role of a director.

Part 1 was a 15-minute introductory video that discusses the basic qualifications, job description and overall tasks a director is responsible for in a production.

Part 2 deals with the script revision process, both in pre-production and on set. Whether a script change is sparked by a creative choice, a budgetary concern, or to fix a shooting problem, the Part 2 video segment covers the basic protocol and tangible essentials of how you can handle this in your next production.

This Part 3 segment digs deep into the pre-production responsibilities of a Director and Assistant Director. Joe and Kendal discuss the process of breaking down a script by scenes and shots, assigning scene numbers, and building the day to day schedule. They show a sample script breakdown sheet and other necessary forms. Independent filmmakers by and large seem to have the attitude that planning doesn’t matter…but as Joe says in the video, pre-production should be 80% of a project. These tips and techniques will help you get a handle on the planning and pre-prod process, and help you come in under budget and make your shooting schedule.

Watch all three segments in the playlist below or at FreshTV, and please stay tuned for the next installment of this extensive series.

If you enjoyed this tutorial series, please tell a friend or post the link in your favorite forum. Thanks for watching.


One Response to “FreshDV Film School: Director’s Course Part 3”  

  1. 1 Seth

    This is good stuff. Thank you for doing these. I never knew that an AD did all that.

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